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A silver jaguar facing left, its body inset with six amethysts, this brooch renders one of Mexico's most charged pre-Columbian animals in Spratling's figural idiom, the row of purple stones marking the creature's flank against the modeled silver. The same design was carried into a necklace pairing two jaguars facing each other, the kind of cross-object development typical of Spratling's strong motifs. It is recorded in the Centennial edition of "Spratling Silver" and Goddard's field guide.
The jaguar belongs to the pre-Columbian repertoire Spratling translated into wearable silver, where native and Aztec forms became the basis for his designs (Morrill, pdf p. 39). Amethyst was among the stones he returned to most often, here multiplied across the animal's body.
Made at the Taller de Las Delicias he founded in Taxco in 1931, the jaguar is a substantial example of his figural first-period work. Its progression from brooch to paired-jaguar necklace, and its place in two references, make it a documented and collectible design.

Jaguar Brooch (Prendedor en forma de jaguar), circa 1940-1946
Accession M.2012.189.4. Official museum record Photo: Los Angeles County Museum of Art.

Broche jaguar (jaguar brooch), 1931-1945
Photo: Museum of Mexican Silver, taken in-gallery at Museo Franz Mayer, February 2026.
Museum of Mexican Silver. “Jaguar Brooch.” Catalog no. MoMS-000315. https://museumofmexicansilver.com/pieces/spratling-346
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Jaguar brooch, 1940–1946
Accession 2016.182. Official museum record Photo: Museum of Fine Arts, Boston.
Verified against each institution's own collection records. All museum collections
William Spratling
Dragonfly Brooch
Silver